Living In Fallout Shelters.

13:20


During the Cold War, many countries built fallout shelters for high-ranking government officials and crucial military facilities, such as Project Greek Island and Cheyenne Mountain nuclear bunker in the United States and Canada's Emergency Government Headquarters.
 Plans were made, however, to use existing buildings with sturdy below-ground-level basements as makeshift fallout shelters. These buildings were usually 
placarded with the yellow and black trefoil sign.

The National Emergency Alarm Repeater (NEAR) program was developed in the United States 1956 during the Cold War to supplement the existing siren warning systems and radio broadcasts in the event of a nuclear attack. The N.E.A.R. civilian alarm device was engineered and tested but the program was not viable and was terminated in 1967.

 In the U.S. in September 1961, under the direction of Steuart L. Pittman, the federal government started the Community Fallout Shelter Program.
A letter from President Kennedy advising the use of fallout shelters appeared in the September 1961 issue of Life magazine.
In November 1961, in Fortune magazine, an article by Gilbert Burck appeared that outlined the plans of Nelson Rockefeller, Edward Teller, Herman Kahn, and Chet Holifield for an enormous network of concrete-lined underground fallout shelters throughout the United States sufficient to shelter millions of people to serve as a refuge in case of nuclear war.




The Shelter Its Self


Shielding

A basic fallout shelter consists of shields that reduce gamma ray exposure by a factor of 1000. The required shielding can be accomplished with 10 times the thickness of any quantity of material capable of cutting gamma ray exposure in half. Shields that reduce gamma ray intensity by 50% (1/2) include 1 cm (0.4 inches) of lead, 6 cm (2.4 inches) of concrete, 9 cm (3.6 inches) of packed earth or 150 m (500 ft) of air. When multiple thicknesses are built, the shielding multiplies. Thus, a practical fallout shield is ten halving-thicknesses of packed earth, reducing gamma rays by approximately 1024 times (210).



Climate Control

Dry earth is a reasonably good thermal insulator, and over several weeks of habitation, a shelter will become dangerously hot.
The simplest form of an effective fan to cool a shelter is a wide, heavy frame with flaps that swing in the shelter's doorway and can be swung from hinges on the ceiling.
The flaps open in one direction and close in the other, pumping air. (This is a Kearny Air Pump, or KAP, named after the inventor, Cresson Kearny)
Unfiltered air is safe since the most dangerous fallout has the consistency of sand or finely ground pumice.


Location
Effective public shelters can be the middle floors of some tall buildings or parking structures, or below ground level in most buildings with more than 10 floors.
The thickness of the upper floors must form an effective shield, and the windows of the sheltered area must not view fallout-covered ground that is closer than 1.5 km (1 mi). 


The Contents
One or more shovels, a pick, a bow-saw with an extra blade, a hammer, and 4-mil polyethylene film (also any necessary nails, wire, etc.); a homemade shelter-ventilating pump (a KAP); large containers for water; a plastic bottle of sodium hypochlorite bleach; one or two KFMs and the knowledge to operate them; at least a 2-week supply of compact, nonperishable food; an efficient portable stove; wooden matches in a waterproof container; essential containers and utensils for storing, transporting, and cooking food; a hose-vented 5-gallon can, with heavy plastic bags for liners, for use as a toilet; tampons; insect screen and fly bait; any special medications needed by family members; pure potassium iodide, a 2-oz bottle, and a medicine dropper; a first-aid kit and a tube of antibiotic ointment; long-burning candles (with small wicks) sufficient for at least 14 nights; an oil lamp; a flashlight and extra batteries; and a transistor radio with extra batteries and a metal box to protect it from electromagnetic pulse.





Radiation Sickness And How To Treat It

Symptoms:
*Nausea and Vomiting 
*Spontaneous Bleeding
*Bloody Diarrhea
*Sloughing of Skin
*Hair Loss
*Severe Fatigue
*Mouth Ulcers
*Infections
Treatments:

* Potassium iodide (Thyroshield, Iosat). This is a nonradioactive form of iodine.
*Prussian blue (Radiogardase). This type of dye binds to particles of radioactive elements known as cesium and thallium.
*Diethylenetriamine pentaacetic acid (DTPA). This substance binds to metals.

Supportive treatment

If you have radiation sickness, you may receive additional medications or interventions to treat:
*Bacterial infections
*Headache
*Fever
*Diarrhea*Nausea and vomiting
*Dehydration
*Burns


( Bombs or Fallout Shelters can help and can be useful in today's society it can help with protecting you and your family from what the world might have to offer.)
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The Sunset Strip Icons- Rodney Bingenheimer

14:13

Rodney Bingenheimer

Rodney Bingenheimer born December 15, 1947, is an American radio disc jockey on the long-running Los Angeles rock station KROQ who is notable for helping numerous iconic bands become successful in the American market. 


His contribution to the music business has been described as important.
 He developed a reputation for being the first American D.J. to identify new artists and play "edgy new bands" such as Blondie, the Ramones, the Sex Pistols, Guns N' Roses, Duran Duran, The Cure, Joan Jett, Hole, Symbol Six, No Doubt, Blur, Nirvana,Sonic Youth, The Bangles, X and many others.
 


He managed a key but now-defunct L.A. nightclub called Rodney Bingenheimer's English Disco in the early seventies.

He was the subject of a documentary by late filmmaker George Hickenlooper titled Mayor of the Sunset Strip which told the story of a groupie-turned-kingmaker with a knack for making friends in the music industry.
He was described as a "famous groupie, now respectable" by Mick Jagger and he has numerous high-profile friends.
 In 2007, he was honored with the 2,330th star on Hollywood Boulevard.


When Bingenheimer arrived in Los Angeles actor Sal Mineo dubbed him “The Mayor of the Sunset Strip.”
He formed friendships with pop stars of the day such as The Byrds and Sonny & Cher, for whom he was a live-in publicist. In his own words, Bingenheimer “became the talk of the town because I had the perfect Brian Jones ‘do’ (hairstyle).”
Bingenheimer worked as an intern at Mercury Records.
 He escorted British pop star David Bowie to L.A. hot spots.
He auditioned for the Davy Jones part in the Monkees. While he did not get the part, he dressed like Davy Jones and had a similar haircut, and he later worked as a double or stand-in for Jones in the TV show The Monkees episode "Prince and the Pauper". The Monkees stand-in role was a "break" for Bingenheimer.







In a later interview, Bingenheimer explained how many artists grew to like and trust him because of his sincerity, taste in music, and not being pushy.[Writer Alison Powell in The Guardian wrote that his "sincerity helped him gain the trust of Brian Wilson, the Beatles, even Elvis.
During these years he was photographed near countless celebrities from the worlds of acting and music and Hollywood, including John Lennon and Yoko Ono, Mick Jagger, Adam Ant, the Beach Boys, and many others, almost like a "real life rock'n'roll Zelig".


  •  Appearances

*Bingenheimer played the backside and over-the-shoulder shots of both of the Davy Jones characters in "The Prince and the Pauper" episode of The Monkees situation comedy.
*He was briefly a member of The Chocolate Watch Band and played only one gig at the San Jose State Fair.
*He is shown in the crowd of a 1967 L.A. Love-In in 1968 documentary You Are What You Eat.
*Contributed to Kim Fowley's 1968 album "Good Clean Fun".
*He appeared as an extra in the 1969 musical film Paint Your Wagon.

*Bingenheimer made a brief cameo appearance in the Cheech & Chong film Up in Smoke released in 1978, during the Rock Fight sequence.
*Bingenheimer was seen driving The Ramones’ pink Cadillac in the film Rock 'n' Roll High School and provided the hand clapping in “The Return of Jackie and Judy” on the Phil Spector-produced End of the Century. He also appears in the video for their 1986 song “Something to Believe In”.
*As a token of their appreciation for his promotion of the band, the members of Blondie served as Bingenheimer’s backing band in a limited release single of “Little G.T.O.” credited as “Rodney and the Brunettes”. Bingenheimer drives a 1967 GTO with the license plate LIDL GTO.
*He appeared DJing at KROQ in the documentary "The Unheard Music" about X, the punk band from Los Angeles.
*Bingenheimer had a cameo role (as a nightclub owner) in the Alex Cox film Repo Man (1984).
*Rodney and slides from his English Disco were in Dramarama’s 1991 video for “Haven’t Got a Clue”.
*He was the subject of the documentary film Mayor of the Sunset Strip, directed by George Hickenlooper and produced by Chris Carter.
*Bingenheimer has a booth named after him at Canter's deli in Los Angeles, which was dedicated to him by Nancy Sinatra.
*After years of grassroots support, the Hollywood Chamber of Commerce decided to acknowledge his contribution to music and radio with a star on the Hollywood Walk of Fame which was presented on 9 March 2007.

*This is the 2,330th star awarded, and it is in front of the Knitting Factory nightclub at 7021 Hollywood Blvd. When asked about his star, he said "then people can literally walk all over me" but added, "from down there I can look up girls' dresses."

*Bingenheimer was the voice of the radio DJ in the SpongeBob SquarePants cartoon “Krab Borg.”
*Bingenheimer was portrayed by J. P. Manoux in the Darby Crash biopic What We Do Is Secret.
*Bingenheimer was played by Keir O'Donnell in the 2010 biopic The Runaways.
*He was in a film titled Nina Hagen = Punk + Glory in 2002.
Bingenheimer recorded a single titled "I Hate the '90s", and did spoken-word vocals with Sonic Youth's Thurston Moore and Hole's Eric Erlandson, and cut singles with Lita Ford (Let's Make the Scene) and Blondie with the single "Little GTO".

*Appears in Troma Entertainment's "B.C. Butcher" as himself.



Makeup Of The 60's

08:37

The Swinging Sixties were filled with groovy trends from fantastic bands and awesome clothes.

the makeup was a big part of the sixties from Audrey Hepburn, Twiggy, Jane Birkin, Francoise Hardy, and Bridgett Bardot were big parts of the sixties scenes.



 Here are some tips that will help give you the beautiful sixties look.


Eyes eyeliner was the most important makeup tool. Instead of cats eye effect, the liner was doubled up at the end of the lid.White eyeliner is drawn down over the upper lid to the inner corner of the eye.






Eyeshadow – the popular palette was blue, gray and white.
Eyelashes – placed on both top and bottom for a real retro ‘flapper’ effect.huge pairs of doll-like false lashes followed. Twiggy took this step even further by using liquid liner to draw in individual lower lashes for a surreal effect. This intense look was completed with a lashing of mascara.


Powder – Lots of powder in the early 1960s to just a dab of translucent by the end of the decade.
Foundation was also applied to lips to lend a very neutral look, which drew attention back to the dramatic eyes. Blush was lightly applied to cheeks, and lipstick shades were pale in comparison to the 1950s  Blusher was applied in the shape of a narrow triangle beneath the cheekbones and in the hollows of the cheeks.




Lips – very pale pinks and reds outlined with a pencil daring Mods could sometimes be seen sporting white lipstick.



Eyebrows -- groomed, shaped and defined with a brow pencil. The thickness of the brow and amount of pencil used ranged from a tweezed lighter touch (e.g. Twiggy) to a heavier penciled look (e.g. Elizabeth Taylor).







Hope this helps you create the most beautiful makeup from the sixties till next  time

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Star Of The Month : January 2017

11:04

I decided I would start a star of the month so each month is a different actor or actresses from films


This month's star of the month is: Warren Beatty




Henry Warren Beatty is an American actor and filmmaker. He has been nominated for fourteen Academy Awards – four for Best Actor, four for Best Picture, two for Best Director, three for Original Screenplay, and one for Adapted Screenplay, Born March 30th, 1937.
 Beatty is the first and only person to have been twice nominated for acting in, directing, writing, and producing the same film – first with Heaven Can Wait (1978), which was co-written by Elaine May and co-directed by Buck Henry, and again with Reds, which he co-wrote with Trevor Griffiths.

Henry Warren Beaty was born in Richmond, Virgina. His mother, Kathlyn Corinne, who was Canadian, was a teacher from Nova Scotia, and his father, Ira Owens Beaty, had a Ph.D. in educational psychology, was a public school administrator, and dealt in real estate.
 Beatty's grandparents were also educators.
Beatty started his career making appearances on television shows such as Studio One (1957), Kraft Television Theatre (1957), and Playhouse 90 (1959). He was a semi-regular on The Many Loves of Dobie Gillis during its first season (1959–60). His performance in William Inge's A Loss of Roses on Broadway garnered him a 1960 Tony Award nomination for Best Featured Actor in a Play and a 1960 Theatre World Award. It was his sole appearance on Broadway.

In 1967, when he was 28, he produced and acted in Bonnie and Clyde. He assembled a team that included the writers Robert Benton and David Newman and the director Arthur Penn, chose Faye DunawayGene Hackman and Estelle Parsons for lead roles, oversaw the script and spearheaded the delivery of the film. It was a critical and commercial success and was nominated for ten Academy Awards, including Best Picture and Best Actor, and seven Golden Globe Awards, including Best Picture and Best Actor.

After Bonnie and Clyde, Beatty acted in several films keeping busy during the 1970s & 1980s working alongside actress such as Elisabeth Taylor, Julie Christie & Goldie Hawn 
. Beatty produced, co-wrote and acted in Shampoo (1975), directed by Hal Ashby, which was nominated for four Academy Awards, including Best Original Screenplay, as well as five Golden Globe Awards, including Best Motion Picture and Best Actor. 

In 1978, Beatty directed, produced, wrote and acted in 
Heaven Can Wait (1978) (sharing co-directing credit with Buck Henry). The film was nominated for nine Academy Awards, including Best Picture, Director, Actor, and Adapted Screenplay.
It also won three Golden Globe Awards, including Best Motion Picture and Best Actor.
Beatty's next film was Reds (1981), a historical epic about American Communist journalist John Reed who observed the Russian October Revolution – a project Beatty had begun researching and filming for as far back as 1970.

















Following Reds, Beatty did not appear in a film for five years until 1987's Ishtar, written and directed by Elaine May. Following severe criticism in press reviews by the new British studio chief David Puttnam just prior to its release, the film received mixed reviews and was a box-office bomb grossing only $14 million against a $55 million budget. Puttnam attacked several other over-budget U.S. films greenlit by his predecessor and was fired shortly thereafter.
Beatty next produced, directed and played the title role as comic strip based detective Dick Tracy in the 1990 film of the same name. The film received critical acclaim and was one of the highest-grossing films of the year. It received seven Academy Award nominations, winning three for Best Art DirectionBest Makeup, and Best Original Song. It also received four Golden Globe Award nominations, including Best Motion Picture.



Beatty has been married to actress Annette Bening since 1992. They have four children: Stephen Ira (born January 8, 1992), Benjamin (born August 23, 1994), Isabel (born January 11, 1997), and Ella (born April 8, 2000). His eldest son Stephen Ira came out as transgender in 2006.
Prior to marrying Bening, Beatty was well known for his high-profile romantic relationships that received generous media coverage. Singer-songwriter Carly Simon also dated Beatty and confirmed in November 2015 that she wrote a verse in her hit song "You're So Vain" about him.
Beatty is a longtime supporter of the Democratic Party. In 1972, Beatty was part of the "inner circle" of Senator George McGovern's presidential campaign. He traveled extensively and was instrumental in organizing fundraising.



THANKS FOR READING
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